Mangione: The Story Behind the Story by John H Richardson – Understanding a Criminal?

On the fifth of December 2024, a leading publication ran the front-page story “Insurance CEO Gunned Down In Manhattan”. The article went on to state that Brian Thompson was “shot in the back in Midtown Manhattan by a killer who then calmly departed the scene”. The daytime killing was indeed both chilling and disturbing. But numerous US citizens had a different response: for those who had been denied health insurance or struggled with medical bills, the news felt like a release. Online platforms erupted. One comment read: “All jokes aside … no one here is the judge of who should live or perish. That’s the job of the AI algorithm the insurance company designed to increase earnings on your health.”

Less than a week after, Luigi Mangione, a good-looking, twenty-six-year-old University of Pennsylvania alumnus with a graduate degree in computing, was arrested at a McDonald’s in Altoona, Pennsylvania. He awaits trial on criminal counts of murder, with prosecutors seeking the capital punishment. So what is his background? And what might have motivated the alleged crime? These are the issues John H Richardson attempts to answer in an inquiry that explores broader themes, too.

The Making of a Subject

A journalist for Esquire magazine, Richardson spent years researching the groups that exist in the hidden parts of the internet, writing stories about people “plagued by genuine concerns about an apocalyptic future”. To uncover “the making” of his subject, Richardson first reviews Mangione’s wide-ranging book list. We learn that “[when] he was taken into custody, Luigi had a list of 295 books on Goodreads”. Their content covered climate change to masculinity, along with a “focus on his own self-improvement, both physical and mental”. Furthermore, Richardson sifts through his correspondence with online personalities and authors as well as his many posts on digital networks. These primary sources, intended to depict a picture of Mangione, instead render him an unclear character. Richardson tries to justify this by suggesting that “Luigi’s elusiveness, in fact, is what gives him a little of that old trickster magic”. Here, as elsewhere, Richardson attempts to cast his subject in symbolic roles.

Mangione is profoundly worried about the world around him, one where ‘change is rapid whether we like it or not’

The Meaning Behind the Crime

As for “the meaning” of the title, Richardson takes as his lead three words – “postpone”, “deny” and “remove”, engraved on the bullets left behind at the crime scene. These are the terms occasionally employed by health insurance companies to reject claims. He examines the evidence Mangione suffered from a chronic back condition, which could have been a reason for an attack, but finds no proof; instead, what meaning there is seems to lie in Mangione’s existential anxiety about the world around him, one where “everything is accelerating whether we like it or not, sliding faster and faster to the edge”; a world where the general belief seems to be that AI is going to ultimately either dominate, or destroy us, or both.

Gaps in the Narrative

Notably missing from the book are interviews with the key individuals. Richardson made requests, but did not anticipate access to Mangione himself. And his family stated explicitly that they had decided against speaking to the press in prior to the trial. Another glaring gap is any detailed data about the victim, Thompson, though we learn that under his leadership, from the early 2020s, company earnings increased by 33%.

Ambiguous Findings

By book’s end, the reader has little insight of Mangione’s personality or what might have motivated his alleged crimes. More troubling, Richardson’s obvious sympathy for him creates the disturbing feeling of having been privy to a subtle approval of an assassination. In the book’s final lines, Richardson presents his fairytale assessment: “We’ve entered a time of fables, the insane ruler, the monster in the maze and the naked leader.” In that tale “outlaw heroes come with a appealing vow … They arrive in times of social turmoil, when the population is in pain and nothing makes sense anymore.”

One thing is clear: as Mangione’s defence team continues in its attempts have charges that could lead to the death penalty thrown out, any mention of myths, folk heroes, heroes or monsters will not be admissible as evidence in support for this attractive individual with a “jawline … and lips … out of a Caravaggio painting” soon to be on trial for murder.

Mark Bird
Mark Bird

A seasoned entrepreneur and business strategist with over a decade of experience in scaling startups and fostering innovation.